Le colloque Performing Medieval Text aura lieu les 10 et 11 mai 2013 à Merton College, Oxford. Son but est de faire se rencontrer enseignants-chercheurs et étudiants de troisième cycle autour du thème de "l'interprétation" ( performance ) des textes, de la musique et de l'art au Moyen Age. Les conférences plénières seront présentées par Dr Florence Bourgne (Paris-Sorbonne) et Prof. Franz Körndle (Augsburg); un concert sera donné par Ensemble Leones (dir. Marc Lewon).Pour de plus amples détails et informations (logement, inscription)http://www.mod-langs.ox.ac.uk/ performingmedievaltext/Provisional Conference ScheduleUnless otherwise noted, all programme points will take place at the TS Eliot Lecture Theatre, Merton College.Friday, 10 May10:00–11:00Registration with Tea&Coffee11:00–11:15Welcome Address11:15–12:45Panel Session 1: Performing Song in Context13:00–14:00Lunch [University Club]14:45–16:30Panel Session 2: Performance: Concept, Context, Genre16:30–16:50Tea&Coffee break17:00–18:00Manuscripts at Merton with Dr Julia Walworth18:15–19:30Keynote Address by Prof. Franz Körndle20:00–21:15Concert: Ensemble Leones [Merton College Chapel]21:30–22:30Reception [Merton College MCR]Saturday, 11May09:00–10:30Panel Session 3: Manuscripts as Performance10:30–10:45Tea&Coffee break10:50–12:00Keynote Address by Dr Florence Bourgne12:00–12:15Tea&Coffee break12:15–13:45Panel Session 4 and Concluding Remarks: Performance TransformedPanel Session 1Performing Song in ContextDr Almut SuerbaumAnnemari Ferreira, Tið, Tiðindi: The Phenomenology of Skaldic Poetry in Egils SagaJennifer Rushworth, The Psalms and Dante’s PurgatoryMoritz Kelber, Advenisti desiderabilis: Emperor Charles V as the Saviour of True FaithPanel Session 2Performance: Concept, Context, GenreDr Sophie Marnette and Dr Helen SwiftUri Smilanski, The Multi-Dimensional Text: A Thought Experiment Around Machaut's De Bonté, de Valour (V10)Matthew Cheung Salisbury, Performance, Performativity, and the Medieval Liturgical ActSteffen Hope, The King’s Liturgical ImagePanel Session 3Manuscripts as PerformanceDr Jessica BerenbeimSophie Burton, Archiving Chant: Triplet Masses in Benevento, Biblioteca Capitolare MS 40Rachel Sullivan, Performing Manuscripts: Rhyme Braces in Medieval Play MSSJack Hartnell, Embodied Bodies: Performing Medieval Surgery and Performing Medieval Art HistoryPanel Session 4Performance TransformedProf. Elizabeth Eva LeachDavid Bowe, Who Performs the Siren Song? Performative Reading and Writing in Purgatorio XIXFrancisca Gale, Adaptation and the Problem of Performance: Wolfram's Solution in Parzival?
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