"Moult a sans et vallour" . Studies in Medieval French Literature in Honor of William W. Kibler
Sous la direction de M. Wright, Norris J. Lacy et Rupert T. Pickens
Amsterdam : Rodopi, coll. "Faux titres", 2012.
EAN 9789042035409.
420 p.
Prix 95EUR
Présentation de l'éditeur :
William W. Kibler is one of the most productive and versatile medievalists of his generation. Some scholars and students think of him primarily as a specialist in the medieval epic, whereas others consider him to be an Arthurian scholar. He is of course both, but he is also much more: a consummate philologist and editor of texts and also a prolific and accomplished translator. Above all, those who know him best know him as an extraordinarily generous and modest man. The present volume represents an effort by thirty medievalists, specialists in fields as diverse as William Kibler’s interests, to indicate our respect for him, aptly described in the foreword as “scholar, teacher, friend.”
Monica L. Wright is the Joseph P. Montiel Associate Professor of French at the University of Louisiana at Lafayette; Norris J. Lacy is the Edwin Erle Sparks Professor Emeritus of French and Medieval Studies at the Pennsylvania State University; Rupert T. Pickens is Professor Emeritus of French at the University of Kentucky.
Table of Contents
Acknowledgments
Thelma S. Fenster: Foreword: William W. Kibler: Scholar, Teacher, Friend
Publications by William W. Kibler
Tabula Gratulatoria
Philip E. Bennett: Once and Future Monuments: Knights’ and Lovers’ Tombs in Medieval French Romance
Maureen Boulton: Herman de Valenciennes and the Invention of Pious Epic
Gerard J. Brault: The Twelve Peers: Charlemagne’s Elite Combatants in the Song of Roland
Keith Busby: Text and Image in the Getty Tundale
William Calin: A French Legacy in Scotland: Arthurian Romance
Carleton W. Carroll: Tentative de réhabilitation d’un manuscrit mal famé d’ Erec et Enide : Chantilly, Musée Condé 472 ( A)
Carol J. Chase: Beginnings and Endings: The Frontiers of the Text in the Prose Joseph d’Arimathie
Robert Francis Cook: Anomalous Rhyme Sequences in the Venice-Four Roland
Joseph J. Duggan: Turoldus, Scribe or Author? Evidence from the Corpus of Chansons de Geste
Joan Tasker Grimbert: Audience Expectations and Unexpected Developments in Marie de France’s Le Laüstic
Bernard Guidot: Traits novateurs, initiatives, intuitions et saillies d’Alfred Delvau dans sa réécriture d’ Ogier le Danois
Edward A. Heinemann: On the Art of the Laisse in the Charroi de Nîmes : Laisses XXIX–XXXII
Tony Hunt: Isidorus anglo-normannice
Catherine M. Jones: Of Giants and Griffons: Narrative and Lineal Disruptions in Gaufrey
Norris J. Lacy: Labyrinth and Maze: The Shapes of Arthurian Romance
June Hall McCash: Melion and Bisclavret : The Presence and Absence of Arthur
Jacques E. Merceron: Étymologie et légendes toponymiques dans l’épopée médiévale et dans la tradition orale moderne
Emanuel J. Mickel: The Three Godfreys and the Old French Crusade Cycle
Leslie Zarker Morgan: War is Hell (for Saracens): A Footnote to Aspremont ’s Afterlife in Italy
Rupert T. Pickens: Anomaly and Ambiguity in Marie de France’s Fresne
Elizabeth W. Poe: The Sultan’s Salutz in the Continuation of Partonopeu de Blois
Samuel N. Rosenberg: Translating the Prose Lancelot
Mary Jane Schenck: Image, Text, Life: La Vie de Saint Gilles and Charlemagne
François Suard: La Fille du comte de Ponthieu : transgression, parole et silence
Jean Subrenat: Le Drame de Roncevaux: De La Chanson de Roland à la “chanson d’aventures”
Jean-Claude Vallecalle: La Divination dans les Chansons de Geste franco-italiennes du XIVe siècle
Logan E. Whalen: The “Lai de Joie” as Intertext in Chrétien de Troyes’s Erec et Enide
Monica L. Wright: Wearing Hearts on Sleeves: Clothes and Pathos in Chrétien and Marie
"Moult a sans et vallour" . Studies in Medieval French Literature in Honor of William W. Kibler
Sous la direction de M. Wright, Norris J. Lacy et Rupert T. Pickens
Amsterdam : Rodopi, coll. "Faux titres", 2012.
EAN 9789042035409.
420 p.
Prix 95EUR
Présentation de l'éditeur :
William W. Kibler is one of the most productive and versatile medievalists of his generation. Some scholars and students think of him primarily as a specialist in the medieval epic, whereas others consider him to be an Arthurian scholar. He is of course both, but he is also much more: a consummate philologist and editor of texts and also a prolific and accomplished translator. Above all, those who know him best know him as an extraordinarily generous and modest man. The present volume represents an effort by thirty medievalists, specialists in fields as diverse as William Kibler’s interests, to indicate our respect for him, aptly described in the foreword as “scholar, teacher, friend.”
Monica L. Wright is the Joseph P. Montiel Associate Professor of French at the University of Louisiana at Lafayette; Norris J. Lacy is the Edwin Erle Sparks Professor Emeritus of French and Medieval Studies at the Pennsylvania State University; Rupert T. Pickens is Professor Emeritus of French at the University of Kentucky.
Table of Contents
Acknowledgments
Thelma S. Fenster: Foreword: William W. Kibler: Scholar, Teacher, Friend
Publications by William W. Kibler
Tabula Gratulatoria
Philip E. Bennett: Once and Future Monuments: Knights’ and Lovers’ Tombs in Medieval French Romance
Maureen Boulton: Herman de Valenciennes and the Invention of Pious Epic
Gerard J. Brault: The Twelve Peers: Charlemagne’s Elite Combatants in the Song of Roland
Keith Busby: Text and Image in the Getty Tundale
William Calin: A French Legacy in Scotland: Arthurian Romance
Carleton W. Carroll: Tentative de réhabilitation d’un manuscrit mal famé d’ Erec et Enide : Chantilly, Musée Condé 472 ( A)
Carol J. Chase: Beginnings and Endings: The Frontiers of the Text in the Prose Joseph d’Arimathie
Robert Francis Cook: Anomalous Rhyme Sequences in the Venice-Four Roland
Joseph J. Duggan: Turoldus, Scribe or Author? Evidence from the Corpus of Chansons de Geste
Joan Tasker Grimbert: Audience Expectations and Unexpected Developments in Marie de France’s Le Laüstic
Bernard Guidot: Traits novateurs, initiatives, intuitions et saillies d’Alfred Delvau dans sa réécriture d’ Ogier le Danois
Edward A. Heinemann: On the Art of the Laisse in the Charroi de Nîmes : Laisses XXIX–XXXII
Tony Hunt: Isidorus anglo-normannice
Catherine M. Jones: Of Giants and Griffons: Narrative and Lineal Disruptions in Gaufrey
Norris J. Lacy: Labyrinth and Maze: The Shapes of Arthurian Romance
June Hall McCash: Melion and Bisclavret : The Presence and Absence of Arthur
Jacques E. Merceron: Étymologie et légendes toponymiques dans l’épopée médiévale et dans la tradition orale moderne
Emanuel J. Mickel: The Three Godfreys and the Old French Crusade Cycle
Leslie Zarker Morgan: War is Hell (for Saracens): A Footnote to Aspremont ’s Afterlife in Italy
Rupert T. Pickens: Anomaly and Ambiguity in Marie de France’s Fresne
Elizabeth W. Poe: The Sultan’s Salutz in the Continuation of Partonopeu de Blois
Samuel N. Rosenberg: Translating the Prose Lancelot
Mary Jane Schenck: Image, Text, Life: La Vie de Saint Gilles and Charlemagne
François Suard: La Fille du comte de Ponthieu : transgression, parole et silence
Jean Subrenat: Le Drame de Roncevaux: De La Chanson de Roland à la “chanson d’aventures”
Jean-Claude Vallecalle: La Divination dans les Chansons de Geste franco-italiennes du XIVe siècle
Logan E. Whalen: The “Lai de Joie” as Intertext in Chrétien de Troyes’s Erec et Enide
Monica L. Wright: Wearing Hearts on Sleeves: Clothes and Pathos in Chrétien and Marie